Two Canadas from the 12th century: one real, one imaginary.

暂无剧情简介

暂无剧情简介

暂无剧情简介

Charming and innocent, Candide is vigorously chased away by the Baron, for his close encounters with the pretty Cunégonde. World War II breaks out, and when he is drafted and taken prisoner, he is forced to take German nationality and ends up guarding the camp where he was imprisoned. He crossed into Switzerland, but as he had no bank account, he was incarcerated for eight days for trespassing. Hunted by the Gestapo, he kills two men to free Cunégonde, who has finally been found. They both flee to Argentina, and their world tour begins. In Paris, Moscow, New York, Borneo and Alexandria. They try to follow Dr. Pangloss' optimistic rule of life. Tossed about, separated, they find themselves grown old and wiser, thinking only of cultivating their garden on the shores of the Mediterranean.

"Live in Style" is a family story. The family are in a difficult situation now, but they try to overcome and live in style. Each member of this large family have unusual names.

In this parody of documentaries, host Martin Mull discusses the contributions that white people have made to the USA, visits the Institute of White Studies, and follows a typical white family as they go about their everyday lives.

The history of business and entrepreneurship lies at the heart of the American story, but often absent are the names and experiences of African Americans who, from the country’s earliest days, have embodied the qualities of innovation, risk-taking and determination to forge a path toward a better life – which is at the heart of the American entrepreneurial spirit.

Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

Director Jared Leto crafts a sweeping yet intimate cross-section of America shot on a single July 4th in 2017 with 92 film crews fanning out across each of the United States and Puerto Rico to capture A Day in the Life of America. A gargantuan production shot over a single 24 hour period across the country, the film weaves a wide range of beliefs and backgrounds into a rich tapestry of life.